Dance Instructor. Rueda de Casino, Son Cubano, Chachachá & Salsa Clásica. Salsa Nena. Jorge Morales. quickloans.nu?fref=ts. RUEDA DE CASINO (Rueda, Salsa Rueda, Salsa Rueda de Casino) is a particular type of Salsa square (in Some people incorrectly call it “Casino Rueda.”. Samkizevent, Samkizevent is Salsa Mayor Kizomba evenement. SalsAddicts geeft les in Cubaanse salsa en Rueda de Casino op verschillende niveaus. . Rueda hosted by Russ Hamer & Sidney Weaverling (search for 'Rueda Calls') Get vars, list=RelatedLinks, PHPSESSID= 9d77cc61e65a91fde84b4cb1a27ad. Please help improve this article by adding citations to reliable sources. Dame con Chocolate - - On 1,2,3, lead turns counter-clockwise facing away from the follow and on 5,6,7 both jump back with hands up and leaning forward slightly. Navigation Main page Recent changes Random page Help. At this point, the lead is facing up stream, almost belly to belly with their follow, who is facing downstream. Ladies könig james also do two and a half turns if they want. Leads can also spin before picking free casino games for blackberry 9320 the follow. Sacala - - Lead the flash slotmaschinen into the centre of the circle and back out. Retrieved from " stuttgart köln bundesliga Then spin the follow back anti-clockwise and the haircomb the follow's arm over your shoulder and do a cross body. On the next Beste Spielothek in Ober-Mockstadt finden count, the lead then turns the follow around clockwise in place and as the follow comes around to face the lead again, the lead does another hook turn but stops when facing upstream away from the follow. Lediglich wird auch Handzeichen benutzt, besonders wenn es zu laut ist, gesprochene Kommandos casual sex app zu hören. Um wieder reinzukommen gern auch ein Kurs oder Erfahrene die mir ihr Können beibringen möchten. In exchange I can learn Bachata as well. You can win free tickets for Salsa skat app test and Salsa Cds and you'll get always the hottest leads about Salsa in Berlin:. Onze cursussen en workshops zijn geschikt voor alle leeftijden en een eigen danspartner is niet verplicht. Salsakara organise, classes and workshops of: Salsakara organise, classes and workshops of: Casino salsa blackjack wiki — Casino is a wholly Cuban dance developed during the mid and late s in Miramar, Havana. Der Unterricht wird von fachlich ausgebildeten Tanzlehrern gegeben. Gerne Anfängerin oder mit Grundkenntnisse. Herbrands, Havana, Salsa-Boot köln.
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Cagua - Starts similar to Sombrero with the follow ending up on the right side of the lead, with arms around each other's shoulders.
From there and on the second eight count, the lead puts their right arm under the left arm of the follow and asks for the right hand. The lead's right arm should still be tucked around the follow's left arm with the back of the lead's hand resting on the follows hip or stomach.
The follow then back rocks and ducks under turning counter clockwise as lead pulls with the right hand up and over the head of the follow.
The lead and follow should be facing each other with left over right. On the next eight count, the follow back rocks again and is pulled into a sombrero on the right side of the lead, right hand on follow's shoulder, left on lead's shoulder.
Cross body back to neutral. Carrusel - - Starts with an Enchufla , then Sacala , then enchufla pulling the follow past to the next lead.
The lead grabs the hand of the next follow ahead and repeats the Sacala then Enchufla three times, on the fourth follow, do a cross body lead to end.
The leads will naturally stay facing out of the circle for most of this move. En Chavarria or Tres Dos - - This is called off a cross-body lead and on 1 of the next eight count while still in a right to left hand hold and facing into the circle, the lead with bent legs, plants with their right foot and then points their feet first left, right and then left again.
The follow does the opposite, planting their left foot and doing a right, left, right shifting motion. This is similar to Coca Cola which can be called off a cross body.
Coca Cola - - On a cross body lead, the lead spins the follow by the shoulder and with the same left hand, pulls the follow behind all on 1,2,3.
On 5,6,7, the lead finished the cross body back to the left. Cubanito - - Start with an Enchufla , and the lead then steps in front of the follow facing into the circle, switching hands.
The lead and follow then back rock twice and on the third back rock, the lead puts the right hand on their shoulder and finishes like Balsero.
Dame con Chocolate - - On 1,2,3, lead turns counter-clockwise facing away from the follow and on 5,6,7 both jump back with hands up and leaning forward slightly.
Dame Diente - Prep on 7 with the left hand, then check the follow in a wrap follow turns clockwise and unwrap.
On the next eight count, the lead then wraps in, turning to the left, touches hands on 5 right to left then unwraps.
Then, prepping on 7 again with the left hand, the follow is wrapped and the lead wraps as well, making sure to switch hands from left to right.
The initial prep is done with the lead's left to the follow's right and then as the follow goes into their wrap, the lead switches to a right to right hand hold, making sure to bend their own arm around the follow.
Then both follow and lead unwrap and do a vacilala con dos with Lead and Follow both doing spins. El Dedo - - As shown. El Dedo Complicado - - Similar to El Dedo, but on 5 while leading the follow around, back step and pull the follow's arm over your shoulders.
Then grab the follow around the waist and lead the follow around for an eight count. Al Directo - - The lead pulls the follow past on the right and claps the hands of the next follow on 5.
Al Directo Doble - - Like Al Directo, upon clapping the hands on 5 of the next follow, the lead spins to the right going past and connects with the next follow.
The leads move clockwise and the follows walk counter-clockwise. El Dos - - Enchufla and while stepping in front of the follow, the lead asks for the followers right hand.
Then on the next count, the lead presents the left hand and continues in a cumbia motion with the follow behind. Step to the left and right, and lastly the lead keeps the right hand high and pull the follow around with both arms, spins the follow and does a sombrero.
El Doce - - As shown. El Nudo - - Setenta, lead follow around back and then with your right hand blind lead follow from behind you around to in front, then setenta.
Enchufla Avion - Starts with an enchufla and the lead holds the right hand of the follow with their left and steps forward with the lead's right arm over the follow's right.
The lead should be standing with the follow's arm at chest height at the end of the eight count. The lead then ducks under the follow's arm to the right, bringing the follow around.
The lead should end up with their right hand over the right shoulder of the follow and lightly on the back of the neck of the follow. The lead, with their left arm, then rotates the follow's right arm up and around clockwise as the follow ducks their head under the right arm of the lead and the lead keeps their right hand on the back of the follow to guide both in half turn.
The lead should have their right hand on the back of the follow and as both move continue to move around each other, and the lead pushes the follow toward the next lead.
The lead then takes the partner ahead in a cross body lead. Enchufla con Dracula - - Enchufla and as the follow goes by, make a mock attempt to bite their neck.
Enchufla con pa - Starts with an enchufla, switch hands and step ahead upstream of follow. Lead then steps into circle and on one says "Pah".
Lead the follow behind into the center of the circle as lead goes into hammer lock and follows, like a sacala, says with "pah" sound on 5.
Lead is doing a cross step at this pint. The lead then backs out to the left and brings the follow in front and to the left while spinning the follow into a counter clockwise turn.
At this point, lead is on the right facing in and follow is on left facing out with left arm under right. Lead the grabs the right hand of the follow on the right and steps forward and backward as follow steps backward and forward for an eight count.
Then on the next eight count, lead turns the follow, while still holding both lead's hands, on the left clockwise and hair combs the follow's hand over the lead's head, closely followed by the hand of follow on right, with whom is done a cross body.
Enchufla Complicado - - Enchufla, and as the follow steps in front, the lead grabs the follows left with their right, then steps under, asks for the hand behind the leads back and the enchuflas again.
Then grab the right hand of the follow and present it to the next lead on the right while looking for the hand of the follow on the left.
Enchufla the next follower and then back to neutral. Enchufla al Medio - - Enchufla, lead steps into the circle, then back out on the follows right.
The follow and lead then alternatively step into and back out of the circle. The following moves are then called:.
Enchufla Rodeala y Mambo - Starts like Seis with an enchufla, and the follow is lead behind and back in front of the lead.
When the follow is standing in front facing into the circle, a mambo is started on 7. The lead starts on the right and on left for follows and is done for five steps i.
While doing the mambo, the lead keeps their right hand on the shoulder of the follow and can initiate the back-rock by pulling on the shoulder.
The lead then back rocks left then right, while leading the follow into a back rock on their right and left for an eight count.
On the next eight count, the follow back rocks with the right foot again and then spins counter-clockwise to the right and is picked up for a cross body lead.
Leads can also spin before picking up the follow. Enrocate - - Two cross body leads in a row over two eight counts, going Evelyn de Cuba - - Starts with an enchfula doble and when stopping the follow the second time, the lead spins to the right and faces the follow.
The lead should be right hand to right hand with the follow. Another enchufla, and the lead does a hook turn helps if the hand doing the enchufla is kept low and the lead pulls the follow behind their back to pass to next lead.
The lead then picks up the next follow to the right. Estrella Doble meaning two stars - Starts with an enchufla, then the leads walk into the center of the circle heading counter clockwise and put their left hands on the left shoulder of the lead ahead of them.
They then walk around the circle for two eight counts and on the 5,6,7 of the second eight count, the leads change direction back to clockwise and put their right hand on the right shoulder of the lead in front.
The follows move in the opposite direction and switch direction at the same time, again going the opposite direction. After changing directions, both leads and follows walk in their respective directions for another eight count and on the second eight count they should be close to their original partners.
The leads then do a hook turn to the right and face their original partner, prepping to the right, in a right to right hand hold.
On the next eight count, the lead then turns the follow around clockwise in place and as the follow comes around to face the lead again, the lead does another hook turn but stops when facing upstream away from the follow.
The lead should be facing the next follow ahead of them and have, from behind them, the follow's right hand on the lead's right shoulder.
On the next eight count, the lead then drops the right hand on the right side of their body and throws it up in a arc over their body, while immediately doing a cross body lead of the next follow upstream.
Fly - - On 5,6,7, jump to the right and clap killing the "fly". Mini is a sub call and the same movement is performed, but don't actually clap.
Festival de Fly - Starting on 1, clap up to the right, then down to the left, the in front, clap once, then twice more. The leads then cross arms and the follows pull their fists back on either side of their bodies and thrust their chest out.
Everybody goes "huh" at the same time. Then clap once and then three quick claps and cross body the follow on the right. La Havana - - Starts with a two handed enchufla with check, then repeat.
On the third two handed enchufla, the lead does a hook turn under and pulls the follow's hands down in front while the lead faces into the circle.
The lead then lifts their right arm up, then the left and, turning to the right a bit, leads the follow into a hammer lock.
Unfold the hammer lock with a back break and then momentarily hook the follow's left arm with the lead's right elbow.
Cross body back to finish. La Isaura - - Enchufla and as the lead passed the follow on the left, continue onto the next follow on the left, cross body, then go to the follow two down, i.
The pattern is one to your left, two to your right and then one back to the original partner. Jardin - - Enchufla and grab the follow's left hand with right and walk into the circle.
Then go under the arm raised by the lead on your left. Then wait for the Bota call then grab the hand of the follow on your left and enchufla the follow back into the slot, then cross body lead the follow.
Make sure to "explode" the circle when doing bota. Juana la Cubana - - Exactly as shown, start with sombrero, then keep your left hand high and spin the follow around to your left putting your left hand on the follow's left shoulder.
Then pull the follow back to your right, keeping the follow's right hand low and fold it behind the follow's back and step up beside on the left.
Put the follow's hand behind your head, then pull it out and sacala, and coming back into a sombrero. Cross body lead back to wapea.
La Jenny - - Enchufla, switching hands, then on the next eight count, cross-body lead back to the left and pull the follow behind the lead like paseala.
After switching hands right to right , on the next eight count, pull the follow around in front and then spin the follow into a hammer lock with the follow's arm behind their back.
At this point, the follow should be facing the lead with their right arm behind their back and the lead is facing downstream. On the next eight count, then cross body lead, and catch the follow by the left shoulder.
The lead should be facing inward slightly and the follow outward. On the next eight count, spin the follow to the clockwise and when they are facing the lead, the lead raises their arm and does a hook turn under it, ending up in the circle facing outward to the follow.
The lead then does a strong enchufla putting the follow momentarily in the circle before bringing the follow back into the slot on the right.
La Pisa - - Enchufla and then lead and follow hold left and right hand respectively and lean back for 8 counts. Leonsio - - Start with Setenta, and like El Nudo, lead steps in front of follow and with left hand up, right hand low, turns to the right until facing into the circle and with arms, left over right, cross in front.
On the next eight count, first raise the left on the right side of the body and then right hand on the left side , keeping the left up over the head as the lead turns to face the follow to the right.
The lead should now be in a hammer lock with their left arm behind, holding the follow's right hand. Then lead the follow until the lead is facing upstream counter-clockwise.
The trick here is to rotate locked with the follow degrees, until the lead is facing upstream, and then pull the follow the rest of the way behind.
The lead then steps under their own arm and turns to the left to face the follow downstream. You have done this part right if you are in a position, to do a two handed enchufla with hook turn show them the L with the arms , and cross body the follow back to neutral.
Mambo - On 5, hold the hands up and the lead step right on 5 left on 7 right on 1 left on 3 and then pushes off ready for the next eight count.
This move is called on beat 3, not the typical 1. Mambo Tipiando - Like Mambo, this start on 5 and the leads start their taps on the right and follows with their left.
Two taps are done, i. Follows mirror the lead, tapping left, right, step left, cross and tap left, right, then back.
The entire sequence of two taps, cross to the right, two taps and cross back is repeated twice and should end on a five with a hand press.
Mariposa - - enchufla then sacala and as the follow comes back, continue to pull them out of the way and grab the right hand of the next follow.
Enchufla and hook turn and then enchufla and cross body back to neutral. Melody - Enchufla and the lead stands in front and to the right of the follow, looking over their left shoulder at the follow.
The follow and lead, in a similar manner to Dos or Cubanito back rock, four times, then the lead picks up the next follow. Mezclado - - Leads turns to the follow on the right and catches the hand and brings the follow to the left, then catch the hand of the right hand follow again but spin the follow on the left nobody lets go!
Leads then spin the follow on left into a hammer lock. Back out of the hammer lock, bring the arms up and hook in the elbows.
Make a little dip. Then back break again and do a hook turn under the follow's arms, then switch places again back into a sombrero.
Noventa ninety - - as shown, the trick is to lift the left hand and step under it. Ochenta y uno - - enchufla and switch hands, lead the follow into a sacala with the right hand and as the follow comes back, hair comb the right hand over the follow's head.
Palmadas - Enchufla and like Enchufla con Mambo , the lead and follow stand next to each other and count out the follow steps to time - stomp left and right, then clap once, then stomp left and right again and clap two times.
Lead picks up the follow they are facing. Parte el brazo - - Lead the follow clockwise and into the center of the circle.
Lead puts right hand on follow's left shoulder and then, back stepping, grabs the back of the follows right hand and spins to the left, spinning the follow as well.
Then enchufla back into neutral. Parte el Brazo Complicado - - Similar to Parte el brazo, but after back stepping, put the follows arms behind their back when they face into the centre.
Paseala - - Pull the follow behind your back. Paseala y Complicate - - Starts with an enchufla, then two Paseala, then on the second one, the lead swings their right hand over their head and as the follow passes behind them, grabs the follow's left hand.
The lead should be in front of and to the left of the follow in a left to left and right to right hand hold. On the next eight count, the lead then pulls the follow forward and wraps the follow.
One the next eight count, the follow is unwrapped and spun to the right, keep the left hand low behind the back and the right hand leading the turn.
To help the follow unwravel, the lead should turn when turning the follow. Then end in a sombrero facing into the circle.
Patin - - Do an enchufla doble, then another one and lead goes into the center, put arms on the shoulders of the other leads and step with left foot behind right and then right behind left, then spin back out and grab the partner to your right not the same follower!!
When joining the other leads, to put left hand low and right hand high and to start with left behind right. The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect.
The names of the moves are mostly in Spanish, some in English or Spanglish ; e. Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest.
Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls.
This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda. Many local variations of the calls can now be found.
They can change from town-to-town or even from teacher-to-teacher. There are many different variations of moves in Rueda de Casino. The circle will either start from "al Medio" normal closed hold with all the couples stepping in and out of the circle or from Guapea stepping forward on the inside foot and backward on the outside foot, tangent to the circle.
Some of the most common moves in Rueda include: Dame, Enchufle, Vacila, and Sombrero. You can readily find an extensive list of Rueda de Casino moves in various websites.
For example, the hand signal for Sombrero is the caller tapping the top of his or her head. Rueda de Casino scenes may be seen in the movie Dance with Me and in the music video clip No me dejes de querer by Gloria Estefan.
With 2 couples, this call has a special feel. To add some flair to it, just as you break to do-se-do around the other leaders, turn your ladies by her R shoulder IT, clockwise.
The leaders must be especially quick to get around in this. Two fingers up Same as Dame Dos, but with two hand claps as you pass through the center.
Depending on your dance school, the Dame Dos move is already done with two handclaps. In that case, this call is not used.
Meanwhile, the lady is doing a turn in the opposite direction, so that you pass each other. Pick her up for a cross body lead to switch into position.
Swing her around in front in time to go back into the basic rueda step, ending with the right hand to left hand push-off. Closed fist held up, arm moves up and down, like pulling on a truckers horn After cross body lead or stop and go, pulse the lady and bring her to the right side under the left arm as she does a half turn to face you, leaders move to where ladies started.
Then step to the inside to pass them. Don't let go with the left hand until the last moment. Closed fist held up, arm moves up and down, like pulling on a truckers horn, with pointer and pinkie fingers up; two fingers means double Same as above but after you start to bring her to the right under your left arm, stop her half way with the right hand on the back, and send her back.
Do the move again this time continue as above. Closed fist held up, arm moves up and down, like pulling on a truckers horn, plus the added turn sign, pointer finger up moving in circular motion Same as above, but after she passes all the way to right under the leaders left arm, with continuous motion the leaders left arm comes down and goes back up.
The leader turns to the right under his arm and immediate goes for the next lady passing his last partner on the inside. Closed fist held up, arm moves up and down, like pulling on a truckers horn, and Same as the single and double Enchufle, but adding a bit of abuse to the end.
After she completes her move to the right side, and as the leader steps to the inside to pass her, with his right hand he taps the top of her right hand which he is still holding and then taps her forehead.
All this in time to the music. Do 3 or 4 if called Enchufles in a row with 1,2,3 or 4 claps just before picking up the next girl.
Do 1 clap after the first, 2 after the second, etc. Same as an Enchufle, except you put your hands together and dive up to the next girl.
Leaderss finish this pattern facing counterclockwise, and do not pick up the next partner. This can be used to initiate arriba, abajo, aburrete, pa' el medio, etc.
The claps are initiated on the leaders left foot, just after leaving your partner to pick up your new lady. Then the leaders and ladies salsa mummy-like in and out towards, then away from each other until the caller stops the terror with 'alli nada mas'.
Then do a cross body lead to get back into the Rueda. Use the momentum of your arm as it comes out and down from the enchufla turn to initiate your right turn.
You stay with your original partner unless the caller calls 'dame'. The leaders can embellish this by getting to the inside with a quick hook turn at the end of the counts.
As soon as you are facing the next lady, leaders lift and pass under ladies right arm to next partner. Same as Festival de Enchufle, but doing Adios instead.
Same as above but after lifting ladies arm up step through and turn left bringing her arm down when you complete the turn.
Leaders step toward the next lady with his right arm reaching over his left arm, which is still holding the ladies right hand.
Then let go and grab next partner. Wave good-bye then hand to the chest Start with the same half spot turn to the right as above, but as soon as leaders face center, lift ladies right arm and step towards center then turn to the left whipping around to face your partner.
Leaders backs are to center, look at your partner. Pulse her and bring her to the center passing in front you and under your left arm, at the same time leaders switch positions so now they face center and ladies face them.
Next pull the ladies out of center and directly not under an arm to leaders right side catching with the right arm on her back.
Ready for the cross body lead. In leading this outward turn, the leaders dances in place while the ladies finishes the outward turn.
Stay with your original lady thru , only leaving to pick up the new lady on the next pacewith an cross body loop.
Usually with legs apart and snapped together. This is done on the "1" or when the leaders right foot and ladies left come together. On the first 3 count, lift ladies right hand up and turn her outside her right.
As she completes turn bring her right hand back down and hold out straight, her left hand is wrapped behind her waist.
On the second 3 count, leaders turn her back the other way, moving her to the right side then looping their right arm over their head leaders right hand to their left shoulder, ladies arm loops over and behind leaders head.
Ladies left arm rests on leaders right shoulder, Leaders right hand drops under ladies left shoulder and rests on her back, now ready for cross body lead.
After unwinding out of hammerlock, bring the lady to your right side, around behind, while taking both her hands in your right hand.
Reach in the circle, touching the other leaders's hands with your free left hand. Bring the lady back around front and across with a one-handed cross body lead, changing her hands to your left hand to end in the open Rueda position.
Everybody touches hands in the center again. After unwinding out of hammerlock, Leaders lead ladies behind them around their left, and switch hands behind the back.